You strap the GoPro to your helmet, put an extra one on your handlebars and get some mates to film at strategic points throughout your line.
You shred hard, pin the track and walk away with a smile. But your edit still looks shit. Here’s some inside info from the pros behind the filming of the British Downhill Series who can maybe shed some light on what you’re doing wrong.
The geebeebee media team will take your through head cams, 4K footage, slow-mos and how to get those stunning pro shots that seem so out of your reach.
Free up some time, give the film a watch and amaze your mates with your newfound knowledge.